[IN PROGRESS] The Broad, Yellow Dot Studios, & Dreaming in Public: Sarah Loyer, Staci Roberts Steele, Adam McKay, & Nato Thompson

WORK IN PROGRESS

Comments 3

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

WORK IN PROGRESS

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

WORK IN PROGRESS

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

WORK IN PROGRESS

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

It depends on how far you can take it and if it weathers the critique. And the critique is...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

[Language is] materially formed. You can see it forming in your own hands. I write sometimes. You can have...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

I came to understand that the myth of the future, of progress, or even the cherished concept of “freedom”...

| 0: AGILE CINEMA™ |

This kaleidoscopic reality of the world, the fact that we live in a mirage, that we live in a...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

When TRANSFER first started up, there was this amazing community online making art on the Internet. It was an...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

Essentially, the work or the object, whether performance, sculpture, or painting, is the sum of all the parts. Where...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

I was reading a poem by Frank O’Hara called Why I Am Not a Painter. The gist of the...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

That's in and of itself this scene of drama that I created on this little island that's suspended on...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

I'm more alive steeping in some sort form of grief, or some form of intense experience. Grief is the...

A.2: NARRATIVE FIELDWORK | 0: AGILE CINEMA™ |

Rather than having this ideal grid and trying to fit everything rigidly into it, seeing contingencies as blemishes, is...